[1] Ding, Z., & Aletta, F. (2024). Acoustical Traditions and Cultural Identity: Exploring Kunqu's Contribution to Collective Memory. Acoustics, 6(4), 1115-1139.
[2] Sü Gül, Z. (2019). Acoustical Impact of Architectonics and Material Features in the Lifespan of Two Monumental Sacred Structures. Acoustics, 1(3), 493-516.
[3] Ballou, G. (2012). Handbook for Sound Engineers. Taylor & Francis. p. 178.
[4] Jahn, R. G., Devereux, P., & Ibison, M. (1996). Acoustical resonances of assorted ancient structures. J. Acoust. Soc. Am., 99(2), 649-658.
[5] Barkas, N. (2019). The Contribution of the Stage Design to the Acoustics of Ancient Greek Theatres. Acoustics, 1(1), 337-353.
[6] Frederiksen, R., & Vikatou, O. (2023). The Ancient Theatre at Kalydon in Aitolia. Aarhus University Press.
[7] Declercq, N. F., & Dekeyser, C. S. A. (2007). Acoustic diffraction effects at the Hellenistic amphitheater of Epidaurus: Seat rows responsible for the marvelous acoustics. J. Acoust. Soc. Am., 121(4), 2011-2022.
[8] Sear, F. (2006). Roman Theatres: An Architectural Study. OUP Oxford. pp. 1-10.
[9] Rowland, I., & Bell, S. (2024). Brill's Companion to the Reception of Vitruvius. Brill. p. 591.
[10] Bloom, J. M. (2017). Early Islamic Art and Architecture. Taylor & Francis. p. 86.
[11] Nasr, S. H. (1987). Islamic Art and Spirituality. State University of New York Press. p. 50.
[12] Burckhardt, T. (2009). Art of Islam: Language and Meaning. World Wisdom. p. 75.
[13] Crane, H. (2024). Risāle-i Mi'māriyye: An Early-Seventeenth-Century Ottoman Treatise on Architecture. Brill. pp. 76-77.
[14] Pitici, M. (2017). The Best Writing on Mathematics 2017. Princeton University Press. p. 68.
[15] Elkhateeb, A., & Eldakdoky, S. (2021). The acoustics of Mamluk masjids: A case study of Iwan-type masjids in Cairo. Applied Acoustics, 107988.
[16] O'Kane, B. (2019). Iconography of Islamic Art: Studies in Honour of Robert Hillenbrand. Edinburgh University Press. p. 75.
[17] Freely, J. (2011). A History of Ottoman Architecture. WIT Press. p. 63.
[18] Magrini, A., & Ricciardi, P. (2003). Surface materials and urban acoustics in the historical town centres: Experimental data from stone and brick paving. Building Acoustics, 10(4), 243-263.
[19] Matracchi, P., Giorgi, L., Iannace, G., Lombardi, I., Parente, R., & Trematerra, A. (2021). Byzantine Churches in Albania: How Geometry and Architectural Composition Influence the Acoustics. Buildings, 12(3), 280.
[20] Rossler, D. (2007). Developments in Ceramic Materials Research. Nova Science Publishers. p. 170.
[21] Carvalho, A. P. O., & Monteiro, C. G. (2009). Comparison of the acoustics of mosques and Catholic churches. International Congress on Sound and Vibration, Kraków, Poland.
[22] Timagenis, I., Timagenis, T., & Timagenis, A. (2022). Resolving the acoustics of contemporary Byzantine churches: The new orthodox cathedral of Tirana in Albania as the first scientific paradigm. Applied Acoustics, 198, 108990.
[23] Schwartz, E. C. (2021). The Oxford Handbook of Byzantine Art and Architecture. Oxford University Press. pp. 451-454.
[24] Sukaj, S., Bevilacqua, A., Iannace, G., Lombardi, I., Parente, R., & Trematerra, A. (2022). Byzantine churches in Albania: How geometry and architectural composition influence the acoustics. Buildings, 12(3), 280.
[25] Mijić, M., & Šumarac-Pavlović, D. (2004). Analysis of contribution of acoustic resonators found in Serbian Orthodox churches. Building Acoustics, 11(3), 197-212.
[26] Kanev, N. (2020). Resonant vessels in Russian churches and their study in a concert hall. Acoustics, 2(2), 399-415.
[27] Sü Gül, Z., & Caliskan, M. (2014). A discussion on the acoustics of Süleymaniye Mosque for its original state. 9th International Congress on the Conservation of Monuments in Mediterranean Basin.
[28] Maconie, R. (2002). The second sense: Language, music, and hearing. Scarecrow Press.
[29] Katz, B. F. G., & Weber, A. (2020). An acoustic survey of the Cathédrale Notre-Dame de Paris before and after the fire of 2019. Acoustics, 2(4), 791-802.
[30] Weber, A., & Katz, B. F. G. (2022). Sound scattering by Gothic piers and columns of the Cathédrale Notre-Dame de Paris. Acoustics, 4(3), 679-703.
[31] Zhang, D., Kong, C., Zhang, M., & Meng, Q. (2020). Courtyard sound field characteristics by bell sounds in Han Chinese Buddhist temples. Applied Sciences, 10(4), 1279.
[32] Zhang, D., Feng, Y., Zhang, M., & Kang, J. (2022). Sound field of a traditional Chinese palace courtyard theatre. Building and Environment, 109741.
[33] He, J., & Kang, J. (2010). Architectural and acoustic features of the caisson ceiling in traditional Chinese theatres. Proceedings of ISRA 2010, Melbourne, Australia.
[34] Hua, Y., Chun, Q., & Jia, X. (2022). Simplified calculation model for typical Dou-Gong exposed to vertical loads. Buildings, 12(5), 689.
[35] Chen, Z., Zhu, E., Lam, F., & Pan, J. (2014). Structural performance of Dou-Gong brackets of Yingxian Wood Pagoda under vertical load—An experimental study. Engineering Structures, 80, 274-288.
[36] Soeta, Y., Shimokura, R., Kim, Y. H., Ohsawa, T., & Ito, K. (2013). Measurement of acoustic characteristics of Japanese Buddhist temples in relation to sound source location and direction. Journal of the Acoustical Society of America, 133, 2699-2710.
[37] Lee, K. J. (1988). Shoji and related architectural elements: Their structure, applications, and adaptations. Journal of Interior Design Education and Research, 14(2), 27-36.
[38] Gupta, A. (2024). Evaluating the functional design of temple enclosures for communal practices. Building Acoustics, 31(4), 399-416.
[39] Manohare, M., Dongre, A., & Wahurwagh, A. (2017). Acoustic characterization of the Buddhist temple of Deekshabhoomi in Nagpur, India. Building Acoustics, 24, 193-215.
[40] Michell, G. (1988). The Hindu temple: An introduction to its meaning and forms. University of Chicago Press.
[41] Roca, P., Lourenço, P. B., & Gaetani, A. (2019). Historic construction and conservation: Materials, systems and damage. CRC Press.
[42] بزرگنیا، ز. (1383). معماران ایران از آغاز دوره اسلامی تا پایان دوره قاجار. سازمان میراث فرهنگی کشور.
[43] Mohammadi, A. A., Asefi, M., & Ebrahimi, A. N. (2018). The geometrical regularization for covering irregular bases with Karbandi. Nexus Network Journal, 20, 331-352.
[44] Mohamadian, S., & Faramarzi, S. (2011). Typology and the formulating geometric structure of Karbandi in Iran's architecture. Journal of Fine Arts: Architecture and Urban Planning, 3(4), 81-96.
[45] پیرنیا، محمدکریم، بزرگمهری، زهره. (1385). هندسه در معماری. سازمان میراث فرهنگی کشور، سبحان نور.
[46] Necipoğlu, G., & Al-Asad, M. (1995). The Topkapı scroll: Geometry and ornament in Islamic architecture. Getty Center for the History of Art and the Humanities.
[47] Farshchi, H., Danaie Nia, A., & Ashrafi, A. (2016). The geometric system of single impost Rasmi-bandi, derived from peripheral circle. MMI, 6(12), 127-138.
[48] Petersen, A. (2002). Dictionary of Islamic architecture. Taylor & Francis.
[49] Blair, S. (2024). The monumental inscriptions from early Islamic Iran and Transoxiana. Brill.
[50] Bloom, J. M. (2020). Architecture of the Islamic West: North Africa and the Iberian Peninsula, 700-1800. Yale University Press.
[51] Azad, Hassan. (2008). ALI QAPU: Persian historical music room. Proceedings of the Institute of Acoustics, 30(3).
[52] Bonner, J., & Kaplan, C. (2017). Islamic geometric patterns: Their historical development and traditional methods of construction. Springer New York.
[53] Nazari, S., & Hashemi Nik, R. (2019). Documentation of the Yazdi-Bandi vault at the Plaza of Sadr-e-A'zam, Tehran. International Journal of Architectural Heritage, 14(4), 541-567.
[54] Safaeianpour, A., & Valibeig, N. (2024). From scrolls to screens: A novel perspective on simulation and decoding of the Kaseh-Sazi drawings of Mirza Akbar's architectural decorations scroll. Digital Applications in Archaeology and Cultural Heritage.
[55] Abel, J., Woszczyk, W., Ko, D., Levine, S., Hong, J., & Skare, T. (2013). Recreation of the acoustics of Hagia Sophia in Stanford's Bing Concert Hall. International Symposium on Room Acoustics, Stanford University.
[56] Sü Gül, Z., Çalışkan, M., Tavukçuoğlu, A., et al. (2018). Assessment of acoustical indicators in multi-domed historic structures by non-exponential energy decay analysis. Acoustics Australia, 46, 181-192.
[57] Kheirollahi, M., Mohammadi, A. A., Chenaghlou, M., & Nejad Ebrahimi, A. (2023). Structural morphology and seismic evaluation of intersecting masonry space structure (Karbandi system). Structures, 56, 104876.
[58] Pour Ahmadi, M. (2014). A basic method for naming Persian Karbandis using a set of numbers. Nexus Network Journal, 16, 313-343.
[59] Reinhardt, D., Cabrera, D., Jung, A., & Watt, R. (2016). Towards a micro design of acoustic surfaces. Advances in Architectural Geometry, 136-149.
[60] Shtrepi, L. (2019). Investigation on the diffusive surface modeling detail in geometrical acoustics-based simulations. The Journal of the Acoustical Society of America, 145(3), EL215.
[61] Tsingos, N., Lefebvre, S., Dachsbacher, C., & Dellepiane, M. (2007). Extending geometrical acoustics to highly detailed architectural environments. 19th International Congress on Acoustics, Madrid.
[62] Vorlaender, M., Heimes, A., Pan, L., Kempin, J., Tokac, I., & Brell-Çokcan, S. (2023). Sound scattering at building façades. The Journal of the Acoustical Society of America.
[63] Heller, E. J. (2013). Why you hear what you hear: An experiential approach to sound, music, and psychoacoustics. Princeton University Press.
[64] ISO 3382-1:2009. Acoustics—Measurement of room acoustic parameters—Part 1: Performance spaces. International Organization for Standardization.
[65] Martellotta, F. (2009). Identifying acoustical coupling by measurements and prediction models for St. Peter's Basilica in Rome. J. Acoust. Soc. Am., 126(3), 1175-1186.
[66] Xiang, N., & Blauert, J. (1993). Binaural scale modelling for auralisation and prediction of acoustics in auditoria. Applied Acoustics, 38(2-4), 267-290.
[67] Barron, M. (2009). Auditorium Acoustics and Architectural Design. Taylor & Francis. pp 60-64.
[68] ASTM E1050. Standard Test Method for Impedance and Absorption of Acoustical Materials Using a Tube, Two Microphones and a Digital Frequency Analysis System. ASTM International.
[69] IEC 61672-1:2013. Electroacoustics—Sound level meters—Part 1: Specifications. International Electrotechnical Commission.
[70] کرباسباف, محمد مهدی و اذعان, غزاله. (1404). مطالعه عملکرد آکوستیکی تزئینات تنگبری در میراث معماری ایرانی. مجله علمی صوت و ارتعاش, 14(27), 99-125.